The band's debut album An Awesome Wave was released in May 2012 in Europe and September 2012 in the United
States, and won the 2012 British Mercury Prize. Gwil Sainsbury amicably departed the band in early 2014. Their second
album, This Is All Yours, was
released on 22 September 2014 and went straight to UK number one. As a
replacement for Sainsbury, Cameron Knight became a supporting member for
alt-J's live shows, playing guitar, bass and sampler.
Breezeblocks
Lyrics
She may contain the
urge to run away
But hold her down with soggy clothes and breezeblocks
Citrezene your fever's gripped me again
Never kisses all you ever send are fullstops, la la la la
But hold her down with soggy clothes and breezeblocks
Citrezene your fever's gripped me again
Never kisses all you ever send are fullstops, la la la la
Do you know where the
wilds things go
They go along to take your honey, la la la la
Break down now weep build up breakfast now
Let's eat my love my love love love, la la la la
They go along to take your honey, la la la la
Break down now weep build up breakfast now
Let's eat my love my love love love, la la la la
Muscle to muscle and
toe to toe
The fear has gripped me but here I go
My heart sinks as I jump up
Your hand grips hand as my eyes shut
Ahhh ahhh ahhh ah ah, ahhh ahhh ahhh ah ah
The fear has gripped me but here I go
My heart sinks as I jump up
Your hand grips hand as my eyes shut
Ahhh ahhh ahhh ah ah, ahhh ahhh ahhh ah ah
Do you know where the
wild things go
They go along to take your honey, la la la la
Break down let's sleep build up breakfast now
Let's eat my love my love love love, la la la la
They go along to take your honey, la la la la
Break down let's sleep build up breakfast now
Let's eat my love my love love love, la la la la
She bruises coughs
she splutters pistol shots
But hold her down with soggy clothes and breezeblocks
She's morphine queen of my vaccine my love my love love love, la la la la
But hold her down with soggy clothes and breezeblocks
She's morphine queen of my vaccine my love my love love love, la la la la
Muscle to muscle and toe
to toe
The fear has gripped me but here I go
My heart sinks as I jump up
Your hand grips hand as my eyes shut
And ahhh ahhh ahhh ah ah, ahhh ahhh ahhh ah ah
Ahhh ahhh ahhh ah ah, ahhh ahhh ahhh ah ah
The fear has gripped me but here I go
My heart sinks as I jump up
Your hand grips hand as my eyes shut
And ahhh ahhh ahhh ah ah, ahhh ahhh ahhh ah ah
Ahhh ahhh ahhh ah ah, ahhh ahhh ahhh ah ah
She may contain the
urge to runaway
But hold her down with soggy clothes and breezeblocks
Germaline disinfect the scene my love my love love love
But please don't go I love you so my lovely
Please don't go, please don't go, I love you so, I love you so
Please don't go, please don't go, I love you so, I love you so
Please break my heart, hey
But hold her down with soggy clothes and breezeblocks
Germaline disinfect the scene my love my love love love
But please don't go I love you so my lovely
Please don't go, please don't go, I love you so, I love you so
Please don't go, please don't go, I love you so, I love you so
Please break my heart, hey
Please don't go,
please don't go, I love you so, I love you so
Please don't go, please don't go, I love you so, I love you so
Please break my heart, ah ha
Please don't go, please don't go, I love you so, I love you so
Please break my heart, ah ha
Please don't go, I'll
eat you whole
I love you so, I love you, so I love you so
Please don't go I'll eat you whole
I love you so, I love you so, I love you so, I love you so
I love you so, I love you, so I love you so
Please don't go I'll eat you whole
I love you so, I love you so, I love you so, I love you so
Synopsis
This
narrative/concept music video tells the story of a murder in slow-motion reverse with a
twist at the end that can change how the audience views the story.
Timeline
The video
begins with a slow shot of a woman submerged in a bath, presumed dead. The
location is not yet clear, although we can assume it is in a house or flat. The
next shot is a close up shot of a man holding his head in his hands. The slow
shots help to accompany the slow song. Then a sudden drum of the music cuts to
an extreme close of the man’s hand wearing a wedding ring. The next few shots,
such as the tap help to establish that the video is in fact in reverse. A mid low shot from the doorway shows the man
hitting the woman with a breeze block. This shot could suggest that someone is
watching from outside. The next medium
shot shows the woman running away from the man as he tries to grab her. A
close up shot of the man is shown with an angry facial expression. A close shot
of the two characters feet and hands show the struggle to obtain the
breezeblock from each other.
Two
shots, a medium shot and a close up, show pieces of glass flying in to form a
bottle which was thrown by the women towards the man but hit the wall instead.
This leaves the audience questioning who is the person in the wrong. A low
angle shot is used to show the woman grabbing the man’s feet and trying to grab
him backwards. The next shot shots the couple in a physical fight with each
other.
The narrative
then changes when a third character is introduced of a close of shot of another
woman looking very scared and upset. A close up of a knife is shown which
suggest the fight is very dangerous and could also foreshadow the first
woman’s death to come. An extreme close up of the third characters hands which
look as if they had been tied together. The complexity of the video helps to know the
audience intrigued to know more.
Various different
shots show books flying back onto the shelf suggest that the fight is very
physical. Then a mid-shot establishes that the third woman is in fact tried in
a closet. This supports the idea that someone was watching the fight fro the
doorway. A close up shot shows the man face looking worried at the woman I the
closet. A medium shot shows the man trying to comfort the woman as she cries.
Then inserts of
previous shots of the tap and the man’s wedding ring help the audience to
fully understand the narrative of the video.
A low shot of the
man’s feet show his walking backwards towards the door, then a mid shit show
him grabbing his keys and flicking the light switch off. The song then slows
right down as a medium shit shots the silhouette of the man shutting the door.

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